Tag Archives: optimize

Smaller is Better!

When it comes to setting our goals, it’s easy to dream big. Dreaming is excellent, but it is often difficult to take actions that will lead us straight toward our goals.

It is difficult not to consider every obstacle in our path as the materialization of the failure of this great dream. Why not just split this dream in different stages, as the climber who climbs the mountain one step at a time, his only goal to be the next step. On an expedition and in my life in general, I often use this technique, enjoying and concentrating on every step taken towards my ultimate goal.

“Do the difficult things while they are easy, and do the great things while they are small. A journey of a thousand miles must begin with a single step.” Lao-Tzu Not only split our dreams into intermediate steps allows us to draw a clearer path towards our goal, but in addition, each little success can be savored. This action enjoying the success, as brief it may be, will help you build your confidence in your abilities. Your brain will store all as small victories against adversity. One can also, by doing so, easily adjusts the shot and reacts to an unexpected obstacle.

Set yourself small goals, achievable fairly easily, every day, every hour, every minute, every second of your life. Next, take concrete actions to achieve them. Enjoy every success, do not minimize them.

“What saves a man is to take a step. Then  another step. It is always the same step, but you have to take it.”  Antoine de Saint-Exupéry From time to time, go wide angle, re-evaluate the distance that separates you from your dream, analyze if this is still what you want and finally, adjust your actions in the right direction. Continue your expedition one step at a time, living every effort, every step forward and every small victory.

“Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matters the road is the life.” J. Kerouac

© Jean-François Desrosby, D.Mus. 2019

Visualization: Getting started! (What you see is what you get!)

No matter at what level is your ability to visualize, it can develop in a daily work. Start by imagining you where you practice your instrument: what it looks like, smells, how you feel when you would normally enter this room.

Imagine yourself trying to perform simple extracts on the guitar. Imagine the sound it produces, acoustics, resonance. To develop this ability to visualize, you should work on it 10 to 15 minutes a day.

For example, you can train to see yourself going up on stage, play your repertoire with pleasure and visualize the warm welcome of the public. You can also visualize a difficult passage seeing you be successful in your head, the brain then lower the psychological barrier that was created earlier.

In addition, you can train yourself to see your fingerings and your scores to accelerate memorization. You can train yourself to relive a performance that was a success for you. Imagine staying focused, despite all possible distractions. Imagine reacting  in the right way.

You can help you overcome your blockages thanks to visualization. The secret is in regular training.

© Jean-François Desrosby (D.Mus.)

Posture and self-confidence

We already know that posture plays a significant role in optimizing our movements when playing an instrument. Many of you may be surprised to know that posture also affects self-confidence.

If we can guess the level of self-confidence of someone by analyzing his posture, it is as well true that our own posture reflects our confidence in ourselves.

So if our posture reflects our confidence, can we influence our level of confidence intentionally by changing our posture? The answer is yes. Good posture will affect your level of personal confidence in addition to giving others the image of someone more confident about his abilities. If we add those benefits to both the injury prevention and optimizing technique, there is no reason for you not to work to improve your posture, and this, in your instrumental practice as in your daily life!

© Jean-François Desrosby (D.Mus.)

Tone versus relaxation

The first error of the musician who is conscious of his well-being is listening to people who constantly remind him that the most important thing in the practice of his art is to be relaxed but they forget to specify how to a relax! The result is the emergence of tension.To counteract these pressures, the well-intentioned musician accentuates is relaxation, which accentuates the tension.

The result of this accentuation of relaxation appears to be an escalation of tension for no apparent reason. After discussions with his teachers, colleagues and friends, all advise him to do one thing: Relax!

While it is true that relaxation may be an appropriate solution to the problem of tension, we must first understand the mechanisms that are behind the idea of relaxation.

For example, take the shoulders. If a musician wants to relax the shoulders, he lets them fall down. As a result, he complains of stiffness in the neck. This is a typical example of what I call “false relaxation.” This state involves releasing a particular muscle in order to relax a body part. What we must understand about the concept of relaxation is that each muscle has its antagonist.

Therefore, relaxation can only occur when there is a perfect balance between the antagonistic muscles. Relaxation does not involve muscle relaxation, but a dynamic tone of the antagonistic muscles that maintain the member in a position of inertia. We thus speak of an active rather than a passive relaxation. The balance of forces produces a feeling of muscle relaxation.

© Jean-François Desrosby (D.Mus.) 2019